Man-made fibres, distinct from synthetic fibres, are derived from natural sources, typically plants, and undergo extensive processing to be transformed into usable textiles. This guide delves into their origins, processing methods, properties, benefits, drawbacks, and environmental impact.
Natural fibres have been integral to human civilization for millennia, providing materials for clothing, textiles, and other essential goods. With increasing awareness of sustainability and environmental impact, the use of natural fibres has garnered renewed interest. This article delves into the various natural fibres, their sources, harvesting and processing methods, environmental impact, properties, and end uses, as well as their biodegradability and recyclability.
Synthetic fibres have revolutionized the textile industry with their versatility and cost-effectiveness. Derived primarily from petrochemicals, these fibres offer a range of properties suited for various applications. However, their production and disposal raise significant environmental concerns. This article explores the different types of synthetic fibres, their properties, pros and cons, production processes, environmental impacts, and challenges in recycling.
Overlockers used to be a little known tool limited to factories, professional dressmakers or very keen amateurs. But probably because of exposure on TV programmes and social media, they’ve experienced an explosion in popularity in the last few years. They are now very much an essential tool for many home sewers. However, they’re not so easy to use ‘out the box’ than sewing machines and require the user to develop a whole new set of skills. Not surprisingly, there’s a lot of confusion about their use. I’ve written this Beginners’ guide to overlockers to answer many of the most common questions and dispel the myths. Note: In the USA, overlockers are known as sergers.
You’ve probably not heard of Alfa sewing machines. But you will have heard of Smith & Wesson revolvers. That’s what the Alfa Hogar company used to make before they turned their hand to more peaceful and creative tools – thankfully.
When it was time to buy a new overlocker for the studio, there was only one place I was going to go. And that of course was Pembertons, my trusted specialist supplier for almost 30 years. So after considering my requirements: Andrew recommended the Juki MO-644D. I then spent a fun 90 mins putting it through its paces.
I’m asked lots of questions during every teaching session in the studio, and most of them start ‘this may be a stupid question but….’. Well do you know? I’ve never heard a stupid question yet! They have all been excellent questions, and I’m always happy to answer them. Chances are the person asking isn’t the only one who doesn’t know the answer. So if you don’t know, then please ask. Because the only stupid question is the one you don’t ask.
A question I’m asked frequently is what is the best way of marking fabric for dressmaking? Unfortunately, there’s no easy answer to that as there is a variety of fabric-marking tools available, and each has their pro’s and cons. My advice is to have a selection of fabric marking tools available to cope with every situation. Here’s a list of the most common:
