The talking point of last night’s Academy Awards ceremony was undoubtedly the announcement of the wrong winner of Best Film. But my attention as always was on the stunning gowns. So I thought I’d take a look at some of the sewing patterns around that are worthy of an Academy Award themselves.
It might not seem the most interesting part of dressmaking knowledge, but it’s essential to read up on interfacing types and uses if you want professional results. Interfacing is an additional fabric layer used in key areas of a garment to provide shape, strength, and support (the 3 S’s!). You’ll find it in waistbands, collars, cuffs, and shirt plackets, where structure matters most.
It’s usually applied to the facing or underlayer rather than the main fabric. But choosing the wrong interfacing can ruin your garment’s appearance. A good rule of thumb is to select a variety that’s the same weight or slightly lighter than your main fabric — never heavier.
Interfacing is available in several forms, and each type is designed for specific uses. Understanding the differences will help you achieve a crisp finish that complements your fabric.
Always test interfacing on a fabric scrap first. Make sure it doesn’t show through or negatively affect the fabric’s colour, drape, or texture.
Woven interfacing behaves like regular fabric and must be cut on the same grain as your garment pieces. It’s especially helpful for bias-cut sections, providing stability while allowing natural movement. Woven interfacing is often used in tailored garments where shape and precision are key.
Non-woven interfacing has no grain, so you can cut it in any direction. It doesn’t fray and is easy to use, making it popular with beginners. However, it can restrict stretch on bias sections, so woven interfacing may be a better option in those cases.
Knitted interfacing is designed for use on stretch fabrics. It maintains flexibility and should be applied so that the stretch runs in the same direction as the garment fabric. It’s ideal for jersey, ponte, and other knit fabrics.
Most non-woven interfacings come in white or black. Choose the one that most closely matches your fabric to avoid “show-through.” For red or other mid-tones, test both light and dark options. Tailoring interfacings (like canvas) are available in neutral shades such as grey or beige.
Fusible interfacing is coated with a glue layer that melts under heat and steam. The glue side looks shiny or has tiny raised dots — this side should face the wrong side of your fabric.
Fusible interfacing isn’t suitable for all fabrics. Avoid using it on heavily textured or heat-sensitive materials like velvet, tweed, acetate, or some silks. In those cases, opt for a sew-in variety instead.
Sew-in interfacing is perfect for fine, delicate, or thick fabrics, and is widely used in traditional tailoring. You can also use silk organza, fine cotton, or an extra layer of the garment fabric itself. Just ensure that the weight and care instructions of both fabrics are compatible.
If you’d like to develop your garment construction skills further, join one of my popular Dressmaking Courses. You’ll gain hands-on practice with applying interfacing and build the confidence to sew professionally finished garments.
You can also explore the full range of interfacings on Vlieseline’s official website — they offer over 600 products!
Understanding the different interfacing types and uses is key to creating garments that hold their shape and look polished. Whether you choose fusible or sew-in, woven or non-woven, the right interfacing supports your fabric in all the right ways.
Download my pdf: Interfacing Types and Uses
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Here’s a rundown of the sewing classes and workshops happening at Artisan Stitch throughout July. So if you’re on holiday in East Lothian and looking for something different and fun to do, why not try a new hobby like Feltmaking, or make a gorgeous wrap skirt? Easy to make and even easier to wear!
