Fabric construction is the foundation of all textiles, determining the look, feel, and behaviour of the fabric. There are two primary methods of fabric construction: weaving and knitting. Both offer a wide range of fabric types, each with unique qualities suited for different purposes. Let’s take a closer look at these methods and some common structures within each.
Sewing jersey fabric can be fun and very satisfying. You can make all types of clothes from T-shirts, leggings, dresses, tunics, pyjamas and more. Jersey fabric is soft to wear, drapes well, and tends to crease less than wovens.
A guide to basic machine stitches and sewing techniques.
Modern sewing machines (made in the last 30 years or so) will produce a variety of basic machine stitches including straight stitches, zig-zag and other utility stitches. If you learn what these stitch types are used for, it’ll make your sewing easier and more enjoyable.
It might not seem the most interesting part of dressmaking knowledge, but it’s essential to read up on interfacing types and uses if you want professional results. Interfacing is an additional fabric layer used in key areas of a garment to provide shape, strength, and support (the 3 S’s!). You’ll find it in waistbands, collars, cuffs, and shirt plackets, where structure matters most.
It’s usually applied to the facing or underlayer rather than the main fabric. But choosing the wrong interfacing can ruin your garment’s appearance. A good rule of thumb is to select a variety that’s the same weight or slightly lighter than your main fabric — never heavier.
What Are the Main Interfacing Types and Uses?
Interfacing is available in several forms, and each type is designed for specific uses. Understanding the differences will help you achieve a crisp finish that complements your fabric.
Structure: Woven, non-woven, or knitted
Weight: Light, medium, or heavy
Application: Fusible or sew-in
Colour: White, black, grey, or beige
Always test interfacing on a fabric scrap first. Make sure it doesn’t show through or negatively affect the fabric’s colour, drape, or texture.
Woven Interfacing
Woven interfacing behaves like regular fabric and must be cut on the same grain as your garment pieces. It’s especially helpful for bias-cut sections, providing stability while allowing natural movement. Woven interfacing is often used in tailored garments where shape and precision are key.
Non-Woven Interfacing (Spun-Bonded)
Non-woven interfacing has no grain, so you can cut it in any direction. It doesn’t fray and is easy to use, making it popular with beginners. However, it can restrict stretch on bias sections, so woven interfacing may be a better option in those cases.
Knitted Interfacing
Knitted interfacing is designed for use on stretch fabrics. It maintains flexibility and should be applied so that the stretch runs in the same direction as the garment fabric. It’s ideal for jersey, ponte, and other knit fabrics.
Choosing the Right Colour
Most non-woven interfacings come in white or black. Choose the one that most closely matches your fabric to avoid “show-through.” For red or other mid-tones, test both light and dark options. Tailoring interfacings (like canvas) are available in neutral shades such as grey or beige.
Fusible Interfacing
Fusible interfacing is coated with a glue layer that melts under heat and steam. The glue side looks shiny or has tiny raised dots — this side should face the wrong side of your fabric.
How to Apply Fusible Interfacing
Place the glue side down on your fabric’s wrong side.
Tack gently using the iron tip to hold it in place.
Cover with a damp pressing cloth to prevent glue transfer.
Use a patting motion with firm pressure across the entire piece.
Press again from the right side to strengthen the bond.
Fusible interfacing isn’t suitable for all fabrics. Avoid using it on heavily textured or heat-sensitive materials like velvet, tweed, acetate, or some silks. In those cases, opt for a sew-in variety instead.
Sew-In Interfacing
Sew-in interfacing is perfect for fine, delicate, or thick fabrics, and is widely used in traditional tailoring. You can also use silk organza, fine cotton, or an extra layer of the garment fabric itself. Just ensure that the weight and care instructions of both fabrics are compatible.
How to Apply Sew-In Interfacing
Cut interfacing to the same size and shape as the pattern piece.
Machine-tack the interfacing just beyond the seamline (don’t backstitch).
Construct the garment as normal, treating the layers as one.
Where to Learn More About Interfacing Types and Uses
If you’d like to develop your garment construction skills further, join one of my popular Dressmaking Courses. You’ll gain hands-on practice with applying interfacing and build the confidence to sew professionally finished garments.
You can also explore the full range of interfacings on Vlieseline’s official website — they offer over 600 products!
Conclusion
Understanding the different interfacing types and uses is key to creating garments that hold their shape and look polished. Whether you choose fusible or sew-in, woven or non-woven, the right interfacing supports your fabric in all the right ways.
Sewing machine needles come in an assortment of types and sizes. Using the correct needle is important to achieve a successful outcome to your sewing project. The wrong size or type of needle can cause breakages of either needles or thread. Uneven or skipped stitches, and snags or holes in the fabric are also symptoms of the wrong needle. You should choose your needle firstly according to the purpose/project, the fibre-type and fabric construction, then the fabric weight.
I had a client in for a one-to-one tutorial this week who was having trouble altering her T-shirts. She was quite short in the body and needed to take up most of her tops or they were more like mini-dresses. She’d bought a new sewing machine last year, and came to me for help convinced that the tension was wrong. The top she had recently altered had several breaks in the sewing of the hem and there were lots of skipped stitches.
Artisan Stitch has won Sewing Provider of the Year 2024/25 in the Scotland Prestige Awards, the 3rd consectuive year I've won a Scotland Prestige Award and the 8th award in 5 years.